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The Kill Artist ReviewThis book is chronologically the first in the Gabriel Allon series.Chronological Order:
1. The Kill Artist
2. The English Assassin
3. The Confessor
4. Death in Venice
5. Prince of Fire
6. The Messenger
In this book, Gabriel, a former assassin for Israel's foreign intelligence service, the Mossad (which translates into English as "The Institution") retired after the murders of his wife and son to lead a quiet life as an art restorer, one who fixes the wounded past. Gabriel's ex-boss, Ari Shamron, an Israeli spymaster a la George Smiley but more treacherous, convinces Gabriel to leave his sheltered hermitage to hunt down Tariq, the assassin who killed Gabriel's family, before he can kill again. In an exquisitely wrought plot of treachery and counter-treachery, Silva explores the Palestinian-Israeli conflict from many, many angles.
I don't read spy fiction as a genre. I don't read anything as a genre. I read great writers, pretty much no matter what they write. I've read a lot of John Le Carre, and one of the few criticisms that I have of his work is that his spies play a gentleman's game. However, Le Carre's spies are deeply human and British.
Silva's spies are not gentlemen, and this is no gentlemen's game. This is hard and dirty intelligence work by one of the hardest and dirtiest intelligence services on the planet. The Mossad is charged with keeping tiny Israel's formidable opponents at bay, and you don't do that by playing fair. Gabriel's Mossad plays entirely unfairly, as it must, as it does in real life. In this book, Jacqueline/Sarah is used as a "honey trap," and Silva lightly explores what it does to a woman to prostitute oneself for a good cause. Silva does exaggerate some of the Mossad's successes, which he does not need to do because the Mossad is very successful without Silva's burnishing.
Silva's plotting is as intricate as a chess game, albeit a game where each of the chess pieces has a deeply felt personality, background, and damaged psyche such that they refuse to move where the gamester wants them to and take on a life of their own. Another thing that I like about Silva's work is that, while Gabriel is the central character and our guide, each of Silva's characters has his/her own agenda and life and is capable of growing, changing direction, and surprising the reader. One feels when reading Silva's books that the book is built to elucidate several characters, not merely one central character.
TK Kenyon
Author of Rabid: A Novel and Callous: A NovelThe Kill Artist Overview
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